Page 3, 28th September 1973

28th September 1973

Page 3

Page 3, 28th September 1973 — Religious artist
Close

Report an error

Noticed an error on this page?
If you've noticed an error in this article please click here to report it.

Tags

People: Ernst Degasperi
Locations: Liverpool, Vienna, London

Share


Related articles

Artist's Aim Is Unity

Page 2 from 15th August 1975

Two Artists Inspired By One Book

Page 2 from 20th October 1972

Delegate In Southwark

Page 10 from 29th March 1974

Weaving The Old And The New

Page 3 from 17th September 1976

Creative Economic Paralysis

Page 8 from 26th September 1975

Religious artist

The indefatigable • Viennese
religious artist Ernst Degasperi has exhibitions of his works opening simultaneous in Liverpool's Anglican and Catholic Cathedrals this week.
An industrial designer up to 1952,46-year-old Mr. Degasperi had what he describes as "an intense spiritual experience" while studying tree roots in his native Austrian Tyrol. Drawings resembling roots have remained the basic element in his work, because he sees their structure as symbolic of the fight for life against natural obstacles, the struggle between good and evil.
He has helped decorate several Austrian Catholic Churches and exhibited his work all over Europe, presenting some examples personally to the Pope last year. His drawings now retail at about £200 apiece in Vienna, he said.
Finding his work did not contrast favourably with "monuments to Nelson" and other objects, he has not exhibited in Westminster Abbey. His drawings were seen for the first time in London last year in St. John's Church Hall, Smith
Square and International
Students House. Mr. Degasperi said the students had, at first, been reluctant to have religious drawings, but "a few wept when the time came to take them down". He left some to hang in their rooms.
The drawings on show in Liverpool are cycles illustrating "The Revelation of St. John", "Song of the Sun by St. Francis" and "The Magnificat". They embody a development in his style from black and white to use of such colours as gold, silver and blue. Each 'Magnificar drawing, for in'stance, pictures d lint of the prayer and, though symbolic, human. figures and their relationships to one another are clearly discernible.
Much involved in Catholic Social Action, Mr. Degasperi said the recent use of colour represented his spiritual growth through an "angry" period to when he began to realise the full joy of the salvation message.
The artist observed it was appropriate that the street joining the two Cathedrals in Liverpool should be named "Hope Street". His work will be on view until October 21, sponsored by the Cultural Department of the City of Vienna.




blog comments powered by Disqus