Page 3, 24th August 1935

24th August 1935
Page 3
Page 3, 24th August 1935 — "FAERIE QUEENE " IN MUNICH First Performance In Germany
Close

Report an error

Noticed an error on this page?
If you've noticed an error in this article please click here to report it.

Tags


Share


Related articles

Handel - Purcell Festival Be Tween June 8 And 27 Lon Don Is

Page 8 from 5th June 1959

Opera By Louis Jebb

Page 7 from 4th November 1983

Eucharistic Oratorio For London

Page 3 from 23rd June 1961

Radio

Page 9 from 6th March 1936

Music For The Round Table

Page 8 from 24th September 1971

Elgar-in Retrospect

Page 3 from 27th May 1949

"FAERIE QUEENE " IN MUNICH First Performance In Germany

UNJUST NEGLECT"

From 0111 Baia;iwi Correspondent A musical event of particular interest to the many English people gathered in Munich for the opera festival was a performance of Purcell's Faerie Queene in a concert arrangement. This was the first performance of Purcell's opera that has ever taken place in Germany, where the name of our greatest composer is honoured, but his music very seldom played.

The opera had been arranged by Herr Karl Schleifer and Dr. Ernst Leopold Stahl, who in an introductory speech assigned the unpopularity of this work in any country to the poorness of the libretto, a degenerate adaptation of A Midsummer Night's Dream, which makes a stage production of the work almost impossible.

"Land Without Music "

The performance of the work, under the direction of Herr Karl Schleifer, proved to the audience how unjust the general neglect of Purcell's music is. Corning before Bach and Handel, the maturity and depth of it is astounding. and is far in advance of the German music of the same period, which was ornamental and rather shallow.

Bach in Germany and Handel in England both succeeded in overshadowing their immediate predecessors, but whereas Bach at first perfected and then developed the medium of Reinken and Buxtehude, no composer ever succeeded in capturing the personal style of Purcell, and in any case would have been unable to do anything more than copy him.

The opera was preceded by pieces by Dowland. Though England, even in Germany, is still considered as the "land without music," there was proof enough to the contrary in all these works, which suggested that in the 16th and 17th centuries English music was far in advance of that of any other country.




blog comments powered by Disqus